EF Mount (Interchangable with PL and B4 mount)

Electronic control via EF mount pins or 12-pin broadcast connector for compatible lenses

15 Stops.

4608 x 2592, 4608 x 1920 (4.6K 2.40:1), 4096 x 2304 (4K 16:9), 4096 x 2160 (4K DCI), 3840 x 2160 (Ultra HD), 3072 x 2560 (3K Anamorphic), 2048 x 1152 (2K 16:9), 2048x1080 (2K DCI), 1920 x 1080

Maximum sensor frame rate dependent on resolution and codec selected. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported. Off-speed frame rates up to 60p in 4.6K, 120p in 2K windowed.

Four position ND filter wheel with clear, 2-stop, 4-stop and 6-stop ND filters.

Focus button turns on peaking, auto focus available using compatible lenses.

Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video mode.

4"

LCD capacitive touchscreen.

Automatically populated lens data from electronic EF, B4 and i/Technology compatible PL lenses. Automatic recording of camera settings and slate data such as project, scene number, take and special notes.

Touchscreen menus on 4” screen. Push buttons for other controls. 2 assignable shortcut keys.

Highly accurate timecode clock. Less than 1 frame drift every 19 hours.

1 x SDI

1 x SDI, 1 x SDI Monitoring.

1.5G, 3G, 6G, 12G.

None.

2 x XLR analog switchable between mic, line and AES audio. Phantom power support.

1 x 3.5mm headphone jack, supports iPhone microphone for talkback.

Tri-Sync/Black Burst/Timecode.

2 x 2.5mm LANC input for Rec Start/Stop, plus Iris and Focus control using compatible lenses.

USB Type-C for software updates.

Integrated stereo microphone.

1 x mono speaker.

None.

1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60, 1080i50, 1080i59.94, 1080i60

2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60

SMPTE 292M, SMPTE 424 Level B, SMPTE 2081-1, SMPTE 2082-1

48 kHz and 24 bit

2 x CFast for 4.6K RAW and ProRes recording. 2 x SD UHS-II card slots for HD and Ultra HD recording.

Please click here for a summary of compatible media.

Can format discs to ExFAT (Windows/Mac) or HFS+ (Mac) file systems.

CinemaDNG RAW, CinemaDNG RAW 3:1, CinemaDNG RAW 4:1, Apple ProRes 4444 XQ QuickTime, ProRes 4444 QuickTime, ProRes 422 HQ QuickTime, ProRes 422 QuickTime, ProRes 422 LT QuickTime and ProRes 422 Proxy QuickTime.

DaVinci YRGB.

Tally on LCD, URSA Viewfinder and URSA Studio Viewfinder.

SDI Channels 15 and 16.

2 x CFast 2.0

2 x SD UHS-II cards

4608 x 2592

CinemaDNG RAW - 513MB/s

CinemaDNG RAW 3:1 - 180 MB/s

CinemaDNG RAW 4:1 - 135 MB/s

3840 x 2160

Apple ProRes 444 XQ - 250 MB/s

Apple ProRes 444 - 165 MB/s

Apple ProRes 422 HQ - 110 MB/s

Apple ProRes 422 - 73.6 MB/s

Apple ProRes 422 LT - 51 MB/s

Apple ProRes Proxy - 22.4 MB/s

1920 x 1080

Apple ProRes 444 XQ - 62.5 MB/s

Apple ProRes 444 - 41.25 MB/s

Apple ProRes 422 HQ - 27.5 MB/s

Apple ProRes 422 - 18.4 MB/s

Apple ProRes 422 LT - 12.75 MB/s

Apple ProRes Proxy - 5.6 MB/s

Storage rates based on 30 frames per second.

Lossless CinemaDNG RAW, RAW 3:1 and RAW 4:1 with film dynamic range at 4608 x 2592, 4608 x 1920, 4096 x 2304, 4096 x 2160, 3072 x 2560, 2048 x 1152, 2048 x 1080 and 1920 x 1080. Apple ProRes 4608 x 2592, 4608 x 1920, 4096 x 2304, 4096 x 2160, 3072 x 2560, 2048 x 1152, 2048 x 1080 and 1920 x 1080 with either film or video dynamic range.