Sony PXW-FS7M2 XDCAM Super 35 Camera System

Sony PXW-FS7M2 XDCAM Super 35 Camera System
Sony PXW-FS7M2 XDCAM Super 35 Camera SystemSony PXW-FS7M2 XDCAM Super 35 Camera SystemSony PXW-FS7M2 XDCAM Super 35 Camera SystemSony PXW-FS7M2 XDCAM Super 35 Camera SystemSony PXW-FS7M2 XDCAM Super 35 Camera SystemSony PXW-FS7M2 XDCAM Super 35 Camera SystemSony PXW-FS7M2 XDCAM Super 35 Camera SystemSony PXW-FS7M2 XDCAM Super 35 Camera SystemSony PXW-FS7M2 XDCAM Super 35 Camera SystemSony PXW-FS7M2 XDCAM Super 35 Camera System
รหัสสินค้า SKU-00444
หมวดหมู่ กล้องวิดีโอ SONY
ราคาปกติ 395,000.00 บาท
ลดเหลือ 390,900.00 บาท
สถานะสินค้า พร้อมส่ง
อัพเดทล่าสุด 7 ก.พ. 2561
จำนวน
ชิ้น
หยิบลงตะกร้า
หนังสือรับรองบริษัท
บุ๊คแบ๊งค์
คุ้มครองโดย LnwPay
Tags : "Sony PXW-FS7 Mark II XDCAM Super 35 Camera System", "Sony PXW-FS7 Mark II ขาย", "Sony PXW-FS7II ขาย", "Sony PXW-FS7M2 ขาย", "Sony PXW-FS7M2 ราคา", "ขาย Sony FS7 MK II", "Sony FS7 M2 ราคา", "จำหน่ายกล้องวีดีโอ Sony PXW-FS7 รุ่นใหม่ล่าสุด", "ขายกล้องวีดีโอ Sony FS7M2", "PXW-FS7M2", "Sony PXW-FS7 II"

รายละเอียดสินค้า

Sony PXW-FS7 Mark II XDCAM Super 35 Camera System


Internal 4K recording at up to 59.94p

Does a 4K camera make sense in an HD world? Perfect sense. Even if you're not planning on 4K production, the 8.8 megapixels of Sony's 4K image sensor enable you to shoot super-sampled HD, with detail and image texture that HD sensors cannot see. And if you want to record in 4K, the FS7 II supports internal recording at frame rates of 23.98, 25, 29.97, 50 and 59.94 fps. The camera records either QFHD 3840 x 2160 or 4K 4096 x 2160.

The PXW-FS7M2 enables three attractive strategies in today’s distribution environment.

Sony's 4K sensor gives you a gorgeous, super-sampled HD picture with visibly superior texture, detail and high-frequency contrast that HD sensors cannot achieve

Derive your delivery format while preserving the original as a future-proof archive. Your master is ready for future 4K release.

You're ready for the more than 18,000 movie theaters with Sony Digital Cinema 4K projectors—and the new wave of 4K home entertainment.

Color, contrast and the XAVC codec

Today’s productions want more. More resolution with 4K. More frames per second with High Frame Rate recording. Better grayscale with 10-bit precision. Better color rendition with 4:2:2. And today’s productions want to record it all at money-saving data rates. That’s why Sony created the extraordinarily capable XAVC® codec. The XAVC-L (Long GOP) version captures Full HD in 10-bit, 4:2:2, at a penny-pinching 50, 35 or even 25 Mbps.

Without enough precision, color correction can cause banding, as in the sky (left image). The XAVC codec delivers 10-bit recording for images that hold up better in post (right). (Simulated images for illustration purposes.)

Vivid 4:2:2 color. Many entry-level camcorders save on bandwidth by using 4:1:1 or 4:2:0 color sampling. The XAVC codec’s 4:2:2 color is substantially better, with twice as many color samples.

Beautiful 10-bit imagery. For decades, the workhorse digital formats have all used 8-bit digital precision, resulting in about 250 grayscale levels for each channel (Y, Cb and Cr). The XAVC codec delivers more precise, more robust 10-bit recording, with about 1,000 grayscale levels per channel. It’s more robust in color correction and better able to render subtle gradations across areas of flat color, such as skin tones or sky

Superior 4K resolution. 4K is a glorious image format, but entails more than four times the pixels of Full HD. The XAVC codec enables you to record 4K without spending quite so much money on storage.

High Frame Rates. In a similar way, 180 fps High Frame Rate shooting requires 7.5 times the data storage of conventional 24 fps recording. The XAVC codec helps tame the data flow, making High Frame Rate a more practical option.

Long loads. Using the XAVC-L (Long GOP) codec, you can capture beautiful Full HD imagery in 4:2:2 color and 10-bit precision at 50, 35 and 25 Mbps. This means you can record over EIGHT HOURS of material onto a single 128 GB memory card. (1 GB equals 1 billion bytes, a portion of which is used for data management.)

Capture more than eight hours of spectacular
HD content on a single card.

Technically, Sony’s XAVC codec is a straightforward outgrowth of the industry-standard H.264/MPEG-4 Advanced Video Coding technology that Sony helped develop. XAVC-I and XAVC-L versions encapsulate video essence in an industry standard MXF OP-1a wrapper.

BT.2020 Wide Color Gamut recording

The FS7 II records directly to ITU-R BT.2020, suitable for BT.2020 monitoring, workflows and distribution channels.

Playback for anyone, anywhere

Sony has the solution for the producer’s desk, where content review needs to be as simple as hitting the Play button. For digital signage and trade shows, where playback needs to absolutely foolproof. For the field, where you don’t always have access to a power outlet. And for 4K jobs, where you may not have a major investment in computer processor cores, GPUs and interface cards. Presenting Sony’s PMW-PZ1, the simple, affordable memory player that supports a range of codecs, frame rates and resolutions.

  • Simple playback, with the familiar Play, Stop, Previous and
    Next buttons that everyone knows and understands
  • Flexible codec support, including XAVC™ Intra and XAVC Long,
    XAVC S, MPEG HD422, and MPEG HD (420) playback
  • Choice of resolutions including 4K (4096 x 2160),
    Quad Full HD (3840 x 2160) and Full HD (1920 x 1080)
  • Choice of frame rates from 24p to 60p
  • Plays SxS® cards directly
  • Plays XQD™ cards via SxS card adaptor, sold separately
  • Plays external USB hard drives, including Sony’s
    PSZ-SA25 SSD drive and other compatible drives
    (see instruction manual for details)
  • Direct copy to external USB storage, no computer required
  • LCD confidence monitor
  • 3G/HD-SDI, HDMI® and USB 3.0 interfaces
  • DC input and supplied AC adaptor, suitable for field use

The rear panel supports HDMI 4K output, four 3G/HD SDI outputs and L/R audio out, while the front panel offers a USB 3.0 interface for playback from external drives and a second USB port for connecting a mouse.

12-bit linear RAW

The ultimate camera capture system would record every nuance of light and shadow from the image sensor, preserving every detail from every pixel for full exploitation in post-production. That’s the concept behind Sony RAW recording. If you want the maximum flexibility that 4K and 2K RAW deliver, the PXW-FS7M2 supports RAW recording on outboard recorders, sold separately.

Sony's 4K RAW recording system starts with the XDCA-FS7 extension unit, which connects via BNC cable to the HXR-IFR5 interface, AXS-R5 recorder and BP-FL75 battery. All these components are sold separately.

To enable RAW recording, first attach the XDCA-FS7 extension unit, sold separately. Then connect the extension unit’s FS RAW Interface to an HXR-IFR5 interface unit and AXS-R5 recorder. The extension unit also connects to compatible third-party external recorders, such as the Convergent Design® Odyssey 7Q+ equipped with the Sony FS RAW option as well as Atomos® Shogun Inferno and Shogun Flame recorders.

Sony RAW recording offers powerful advantages.

4K RAW. Conventional HD recording requires the image sensor signal to go through a demosaicing process, gamma encoding and a color matrix—"baking in" many decisions that may be better left for post. RAW recording bypasses these processes, preserving more of the original camera signal for maximum image quality and maximum flexibility in post.

Derived 2K RAW without windowing. With Sony, 2K RAW is not just a technical specification. It's a business model. Sony 2K RAW gives you everything you love about Super35 cinematography, and it consumes just one quarter the data of 4K RAW. Sony’s original 2K RAW mode maintains the full Super35 field of view with no line skipping, sensor windowing or crop factor. Switching into 2K Center Scan mode is like a 2x telephoto converter for your lenses. So a 50 mm prime behaves like a 100 mm.

12-bit precision. Compatible RAW recorders represent linear light with 12 bits of precision. This delivers 64 times as many colors as 10-bit recording. The AXS-R5 files are also compatible with the workflow tools used for RAW recordings from Sony’s F65 and the combination of the AXS-R5 with Sony’s F55, F5, FS5 and FS700 cameras. Sony RAW is also a powerful complement to the Academy Color Encoding System (ACES) workflow.

High frame rates. The RAW recording mode takes advantage of the camera's extraordinary high frame rate capabilities—up to 240 fps in 2K RAW. Note that the camera cannot capture audio at frame rates higher than 59.94 fps.

  • 4K 12-bit RAW: 23.98, 25, 29.97, 50 and 59.94 fps
  • 2K 12-bit RAW: 23.98, 25, 29.97, 50, 59.94, 100, 120, 200 and 240 fps

Simultaneous RAW + Onboard recording. Instead of requiring you to patch together a science project, Sony provides a coordinated "off-line, on-line" workflow with simultaneous recording to the camera's internal memory card and the AXS-R5 RAW recorder. For seamless conforming in post, you get matching time code, start frame, stop frame, file names and other metadata.

The XDCA-FS7 extension unit also connects to the Convergent Design Odyssey 7Q+ equipped with the Sony FS RAW option as well as the Atomos® Shogun Inferno and Shogun Flame recorders. All these external recorders capture in Cinema DNG and Apple ProRes 422 HD formats. And all these components are sold separately.

Apple ProRes 422 option

Sony understands that some workflows are committed to the Apple ProRes 422 codec. Our XDCA-FS7 extension unit, sold separately, supports Apple ProRes 422 and Apple ProRes 422 HQ – 1920 x 1080 recording to an XQD™ card in the camera. Both versions deliver the resolution of Full HD, the texture of 4:2:2 color with the nuanced grayscale rendition of 10-bit recording.

S-Log3 and maximum grayscale

As the exposure latitude of modern cameras climbs, conventional HD recording systems are hard-pressed to keep pace. That’s why Sony developed S-Log, S-Log2 and now S-Log3. Sony’s most refined logarithmic gamma mode yet, S-Log3 enables faster, easier color correction with more levels devoted to shadows and mid-tones for spectacular grayscale rendition. You’ll spend less time “getting into the ballpark,” leaving more time for creativity.

As you’d expect, Sony supports S-Log3 with optimized Look Up Tables, (LUTs). For compatibility with legacy productions, the PXW-FS7M2 also supports S-Log2.

S-Gamut3 and S-Gamut3.cine

The camera features the ample color space of S-Gamut3 and S-Gamut3.cine. The first reproduces the maximum available color space, and is well suited to archiving. The second matches well with the Digital Cinema Initiatives (DCI) P3 color space.

Two XQD card slots

Dual XQD™ card slots enable simultaneous and relay recording. During relay recording, when one memory card becomes full, recording continues automatically to the other card. In simultaneous recording, you can record the same footage on both cards at the same time. Or you can use one card for selected shots while the other records continuously as backup.

Specified by the CompactFlash Association, XQD™ memory cards are reliable thanks to in-camera recovery. You also get very low cost per minute compared to CFast™ cards. Robust communication between the camera and the card's controller enables read/write speeds up to 600 Mbps.

Optical disc backup and archive

While the PXW-FS7M2 records onto memory cards, Sony understands the need to offload your productions onto affordable storage media. Fortunately, the FS7 II works beautifully with Sony optical disc systems for backup, archiving, playback and program exchange.

The FS7 II works well with Sony Professional Disc media (top) and Sony Optical Disc Archive cartridges (bottom).

Sony Professional Disc™ media has a track record for reliable storage in the harshest of field conditions. It's also accepted by thousands of XDCAM® HD decks and thousands more XDCAM HD drives.

  • For MPEG-2 HD 422 files. Files captured as 50 Mbps MPEG-2 422 are fully compatible with XDCAM HD systems. Simply drag & drop files onto the clip folder of Professional Disc media. The result is a bit-for-bit copy that will play on XDCAM HD decks and read on XDCAM HD drives. You even get XDCAM 2 Mbps proxy video, which is generated automatically as you copy. This solution is perfect for playing back, archiving and delivering HD projects.
  • For XAVC-I HD files. The PDW-HD1550 XDCAM studio deck plays and records XAVC-I files (at HD resolution only).
  • For data backup of other files. You can use Professional Disc media as pure data storage for FS7 RAW and XAVC-L files.

Sony Optical Disc Archive (ODA) cartridges hold up to 3.3 Terabytes 1 of data in a compact, handheld format. Each cartridge contains 12 data discs, organized as a single volume. Unlike generic data storage systems, Sony ODA systems have utilities for managing audio/visual content. You can use our Content Manager to back up MPEG-2 and XAVC for archiving, restoring and delivery to clients. The system automatically generates metadata, including browse-able proxy video and thumbnail pictures. You can also use ODA cartridges to back up Sony RAW files as data.

1 One terabyte is a trillion bytes, a portion of which is used for data management.

Tech Specs 
Sensor
The 4K Super 35 EXMOR sensor features 14 Stops of latitude and a wide color
 
gamut. It offers a choice of XAVC or MPEG-2 codecs. The XAVC codec can be used
 
for 4K and HD recording, while MPEG-2 is limited to HD recording. XAVC comes in
 
two flavors, XAVC INTRA, and XAVC Long, allowing you to encode from HD to UHD
 
using Intra-Frame or Long GOP compression with 10-bit 4:2:2 for HD and the choice
 
of 10-bit 4:2:2 or 8-bit 4:2:0 for UHD. XAVC intra compression is very efficient,
 
recording at modest bit rates and XAVC Long also substantially extends the recording
 
Signal Processing
 
The Camera supports two signal processing modes; Cine-EI and Custom. Cine-EI
 
offers three color grading spaces for electronic cinematography production. The
 
Custom mode supports Rec-709 and Rec BT-2020 at UHD 3840 x 2160 with Y, Cb,
 
Cr color subsampling. You can set the PXW-FS7M2 to record onboard and monitor
 
on a BT 2020 compliant monitors via HDMI 10-bit 4:2:2 or SDI at 10-bit 4:2:2 with
 
Locking E-Mount
 
The PXW-FS7M2 is equipped with a locking E-Mount that provides improved
stability andstrength compared to a standard E-Mount. It features a safety interlock system that helps prevent accidental disengagement of your lens from the camera body. The locking mount also reduces lens play compared to a standard E-Mount and the locking mount is strong enough to support long cine and ENG zooms that normally require a lens support. It accepts optional E-Mount lenses from Sony, Zeiss and other manufacturers. The shallow flange distance of the E-Mount allows you to mount most 35mm lens types such as PL, Canon EF, Leica, Nikon, as well as many others with simple mechanical adapters.
 
Electronic Variable ND
 
Behind the lens mount sits a retractable clear filter. When you engage the
internal ND filters, the clear filter retracts and a stepless electronic ND filter drops into place maintaining the proper flange focal distance. You can program the electronic ND filter to act as three individual filters and rotating the filter knob will step between these presets. Magnesium Construction The camera body is made from magnesium, which is lighter and stronger
than aluminum. This allows the camera body to weigh only four pounds.
It also incorporates a shoulder pad and is designed to sit on the operator's shoulder by extending the support arm of theSmartGrip, which allows the camera to be held in front of the operator without requiring a support rig.
 
SmartGrip
 
The camera includes an ergonomic handgrip that Sony calls a SmartGrip, which features Zoom, Start/Stop, and Assign controls. The SmartGrip facilitates camera operation with the right hand, leaving the left hand free to operate the lens. Both the arm and handgrip can be positioned at different angles permitting great flexibility, and it has been re-designed for additional extension adjustment. Redesigned Viewfinder and Mic Holder Mount With the PXW-FS7M2 the viewfinder and mic holder mount has been repositioned. The viewfinder and mic holder now attach to a replaceable 15mm rod. This allows you to swap out the included rod with a longer rod (not included), allowing you to move the position of the viewfinder or mic holder relative to the camera. You can adjust the position of the viewfinder so a left-eye shooter can use their left eye, while the camera is resting on their right shoulder.
 
Internal Recording
 
The PXW-FS7M2 records internally in both DCI 4K and UHD 4K at up to 59.94 fps, and in HD up to 180 fps using XAVC-I or up to 120 fps with XAVC-L. DCI 4K (4096 x 2160) can be recorded internally without the need of an external recorder.
 
Media Card Slots
 
The camera features two XQD media slots that support simultaneous or relay recording. The XQD card slots are shallower on the PXW-FS7M2
compared to the FS7, making inserting and removing media cards easier.
 
Genlock and Timecode
 
Genlock and timecode breakout is available with an optional XDCA-FS7, this also allows for raw and ProRes recording with optional recorders.
 
SPECIFICATION SONY FS7 MARK II
 
Image Device
Super 35mm Single-Chip Exmor CMOS
Effective Picture Elements
17:9 4096 (H) x 2160 (V)
16:9 3840 (H) x 2160 (V)
Signal-to-Noise Ratio
57 dB (Y)
Sensitivity
2000 lx, 89.9% reflectance
T14 (3840 x 2160/23.98p mode 3200K)
 
ISO Sensitivity
ISO 2000 (S-Log3 Gamma D55 Light source)
Minimum Illumination
0.7 lux: +18 dB,23.98p,Shutter OFF,ND Clear, f/1.4
Signal System
NTSC / PAL
Built-in Filters
Clear, 1/4, 1/16, 1/64
LCD Monitor
3.5" / 8.8 cm
Approx: 1.56M dots
Speaker
Monaural
Shutter Speed
1/3 to 1/9000 of a sec
White Balance
Preset
Memory A
Memory B (1500K-50000K)/ATW
Gain Selection
-3, 0, 3, 6, 9, 12, 18 dB, AGC
Gamma Curve
STD
HG
User
S-log3
Shooting Formats
4K 4096 x 2160
12-bit raw
 
UHD 3840 x 2160
10-bit 4:2:2 XAVC-I
8-bit 4:2:0 XAVC-L
 
2K 2048 x 1080
12-bit raw
 
HD 1920 x 1080
10-bit 4:2:2 XAVC-I
10-bit 4:2:2 XAVC-L
MPEG2 4:2:2
 
HD 1280 x 720
MPEG2 4:2:2
Audio Recording Format
LPCM 24 bits, 48 kHz, 4 channels (Recording/Playback 2 channels)
Recording Formats
XAVC-I QFHD MPEG-4 H.264/AVC
59.94P CBG, bit rate 600 Mb/s
50P CBG, bit rate 500 Mb/s
29.97P CBG, bit rate 300 Mb/s
23.98P CBG, bit rate 240 Mb/s
25P CBG, bit rate 250 Mb/s
 
XAVC-I HD MPEG-4 H.264/AVC
59.94P VBR, maximum bit rate 222 Mb/s
50P VBR, maximum bit rate 185 Mb/s
59.94i VBR, maximum bit rate 111 Mb/s
50i VBR, maximum bit rate 112 Mb/s
29.97p VBR, maximum bit rate 111 Mb/s
23.98p VBR, maximum bit rate 89 Mb/s
25p VBR, maximum bit rate 112 Mb/s
 
XAVC-L QFHD MPEG-4 H.264/AVC
59.94p/50p mode: VBR, maximum bit rate 150 Mb/s
29.97p/23.98p/25p mode: VBR, maximum bit rate 100 Mb/s
 
XAVC-L HD 50 MPEG-4 H.264/AVC
VBR, maximum bit rate 50 Mb/s
 
XAVC-L HD 35 MPEG-4 H.264/AVC
VBR, maximum bit rate 35 Mb/s
 
XAVC-L HD 25 MPEG-4 H.264/AVC
VBR, maximum bit rate 25 Mb/s
 
MPEG-2 Long GOP
CBR, maximum bit rate 50 Mbps, MPEG-2 422P@HL
 
XAVC-I QFHD 3840 x 2160/ 59.94p, 50p, 29.97p, 23.98p, 25p
 
XAVC-I HD
1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p
 
XAVC-L QFHD 50
3840 x 2160/59.94p, 50p, 29.97p, 23.98p, 25p
XAVC-L 35
1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p
 
MPEG-2 Long GOP
1920 x 1080/59.94i, 50i, 29.97p, 23.98p, 25p 1280 x 720/59.94p, 50p, 29.97p, 23.98p, 25p
Recording Frame Rate
XAVC-I QFHD
3840 x 2160/ 59.94p, 50p, 29.97p, 23.98p, 25p
 
XAVC-I HD
1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p
 
XAVC-L QFHD
3840 x 2160/59.94p, 50p, 29.97p, 23.98p, 25p
 
XAVC-L HD 50
1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p
 
XAVC-L 35
1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p
 
XAVC-L 25
1920 x 1080/59.94i, 50i
 
MPEG-2 Long GOP MPEG HD422
1920 x 1080/59.94i, 50i, 29.97p, 23.98p, 25p
1280 x 720/59.94p, 50p, 29.97p, 23.98p, 25p
Slow & Quick Motion Function
XAVC-I mode 3840 x 2160: 1 to 60 frames (59.94p, 50p, 29.97p, 23.98p, 25p)
XAVC-I mode 1920 x 1080: 1 to 180 frames (59.94p, 29.97p, 23.98p)
XAVC-I mode 1920 x 1080: 1 to 150 frames (50p, 25p)
XAVC-L mode 3840 x 2160: 1 to 60 frames (59.94p, 50p, 29.97p, 23.98p, 25p)
XAVC-L mode 1920 x 1080: 1 to 120 frames (59.94p, 50p, 29.97p, 23.98p, 25p)
Maximum Recording Time
XAVC-I mode QFHD 59.94p
When using QD-G128A (128 GB): Approx. 22 minutes
When using QD-G64A (64 GB) Approx. 11 minutes
 
XAVC-I mode QFHD 50p
When using QD-G128A (128 GB): Approx. 26 minutes
When using QD-G64A (64 GB) Approx. 13 minutes
 
XAVC-I mode QFHD 29.97p
When using QD-G128A (128 GB): Approx. 44 minutes
When using QD-G64A (64 GB) Approx. 22 minutes
 
XAVC-I mode QFHD 23.98p
When using QD-G128A (128 GB): Approx. 55 minutes
When using QD-G64A (64 GB) Approx. 27 minutes
 
XAVC-I mode QFHD 25p
When using QD-G128A (128 GB): Approx. 52 minutes
When using QD-G64A (64 GB) Approx. 26 minutes
 
XAVC-I mode HD 59.94p
When using QD-G128A (128 GB): Approx. 59 minutes
When using QD-G64A (64 GB) Approx. 30 minutes
 
XAVC-I mode HD 50p
When using QD-G128A (128 GB): Approx. 71 minutes 
When using QD-G64A (64 GB) Approx. 35 minutes
 
XAVC-I mode HD 59.94i
When using QD-G128A (128 GB): Approx. 118 minutes 
When using QD-G64A (64 GB) Approx. 59 minutes
 
XAVC-I mode HD 50i
When using QD-G128A (128 GB): Approx. 141 minutes 
When using QD-G64A (64 GB) Approx. 70 minutes
 
XAVC-I mode HD 29.97p
When using QD-G128A (128 GB): Approx. 118 minutes 
When using QD-G64A (64 GB) Approx. 59 minutes
 
 
XAVC-I mode HD 23.98pM/b>
When using QD-G128A (128 GB): Approx. 147 minutes 
When using QD-G64A (64 GB) Approx. 74 minutes
 
XAVC-I mode HD 25p
When using QD-G128A (128 GB): Approx. 141 minutes 
When using QD-G64A (64 GB) Approx. 70 minutes
 
XAVC-L mode QFHD 59.94p/50p
When using QD-G128A (128 GB): Approx. 87 minutes 
When using QD-G64A (64 GB) Approx. 44 minutes
 
XAVC-L mode QFHD 29.97p/23.98p/25p
When using QD-G128A (128 GB): Approx. 131 minutes 
When using QD-G64A (64 GB) Approx. 66 minutes
 
XAVC-L 50 mode
When using QD-G128A (128 GB): Approx. 262 minutes 
When using QD-G64A (64 GB) Approx. 131 minutes
 
XAVC-L 35 mode
When using QD-G128A (128 GB): Approx. 374 minutes 
When using QD-G64A (64 GB) Approx. 187 minutes
 
XAVC-L 25 mode
When using QD-G128A (128 GB): Approx. 524 minutes 
When using QD-G64A (64 GB) Approx. 262 minutes
 
MPEG HD422 mode
When using QD-G128A (128 GB): Approx. 262 minutes 
When using QD-G64A (64 GB) Approx. 131 minutes
Media Card Slots
2 x XQD
1 x SD (for configuration data only)
Input and Output Connectors
Audio Input
2 x 3-pin XLR
Line/mic/mic +48
Mic Reference: -40. -50. -60 dBu
 
SDI Output
2 x BNC HD/3G-SDI
SMTPE292M/424M/425M
 
HDMI 2.0
1 x Type A
 
USB
USB device, miniB
 
Headphone
1 x Stereo mini jack
-16 dBu 16 Ohms
 
Remote
Stereo mini jack (Φ2.5 mm)
Accessory Shoe
Multi-Interface (MI) shoe
Power Requirement
12 VDC
Power Consumption
Approx. 19 W (while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device)
Battery Operating Time
BP-U30: Approx. 1 hr while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device
BP-U60: Approx. 2 hr while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device
BP-U90: Approx. 3 hr while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device
Temperature
Operating: 32 to 104°F / 0 to 40°C
Storage: -4 to 140°F / -4 to 140°C
Dimensions (WxHxD)
6.14 x 9.41 x 9.72" / 156 x 239 x 247 mm
Weight
4.4 lb / 2.0 kg: Body Only
9.9 lb / 4.4 kg: Body, Viewfinder, Eyepiece, Grip Remote Control, BP-U30 Battery, SELP28135G Lens, an XQD Memory card
 

วิธีการสั่งซื้อสินค้า

สามารถเช็คและสั่งซื้อสินค้าได้ทุกช่องทางของร้าน

1) Telephone : 062-1968246 , 06-2316-5588 , 063-2344658 , 02-150-1397
2) Line OA    : @4kplus
3) Fackbook : 4K PLUS
4) Instagram : 4k.plus
5) TikTok       : 4kplus.th

วิธีการชำระเงิน

ชำระเงินผ่านธนาคาร

ธนาคารกรุงเทพ จำกัด (มหาชน) สาขาThe Cry Stal ออมทรัพย์
บมจ. ธนาคารกสิกรไทย สาขาเดอะ คริสตัล ออมทรัพย์
บมจ. ธนาคารกสิกรไทย สาขาประดิษฐ์มนูธรรม ออมทรัพย์
บมจ. ธนาคารกรุงไทย สาขาสาขา คริสตัล ดีไซน์ เซ็นเตอร์ ออมทรัพย์

OVERVIEW

หน้าที่เข้าชม1,431,188 ครั้ง
เปิดร้าน28 พ.ค. 2557
ร้านค้าอัพเดท5 ก.ย. 2568



ติดต่อได้ทุกช่องทาง

OUR PRODUCTS

สินค้าทั้งหมด [1468]
Video Equipment [729]
Streaming Box / Encoder / Decoder [80]
HD I/O Cards & BOX [46]
4K I/O Cards & BOX [23]
Video Switcher & Router [89]
4K Video Switcher [8]
Matrix Switch/Splitters [51]
Converters [38]
Extender [52]
Wireless Video [74]
MONITOR [67]
CG & Recorder [11]
Multimedia Controllers [14]
PTZ Cameras & Control [50]
Video Conference [22]
Video Wall [16]
Intercom & Tally [30]
Battery & Charger [33]
Projectors [2]
Stabilizer & Accessoire [12]
Lens [3]
ตู้กันชื้น [1]
Sound Equipment [122]
YAMAHA [6]
Soundcraft [4]
Wireless Microphones [40]
Mixer [20]
Sound Other & Accessories [52]
AJA [65]
KiPro [7]
Mini-Converter [33]
IO [6]
KONA Cards [5]
CION [2]
FS [2]
KUMO [3]
Streaming [5]
Blackmagicdesign [144]
Converter [21]
Video Recorders [18]
Video Monitor [8]
I/O For Thunderbolt [7]
I/O Capture Cards [17]
Cameras [20]
Switchers & Panel [31]
Multiview [3]
Videohub [3]
Teranex [3]
DaVinci Resolve & Panels [7]
Ultimatte [1]
Network Storage [5]
NewTeK [5]
TriCaster [3]
TalkShow [1]
3Play [1]
Panasonic [46]
กล้องวิดีโอ Panasonic [23]
Digital Mirrorless [18]
Switchers [5]
SONY [44]
กล้องวิดีโอ SONY [25]
กล้อง Mirrorless & Cinema [9]
Handycam [5]
Wireless Microphone [3]
Switcher [1]
Canon [24]
Cameras [24]
JVC [5]
กล้องวิดีโอ [3]
LCD Monitor [2]
ATOMOS [23]
RECORDERS [21]
CONVERTERS [2]
SENNHEISER [39]
Wireless Microphone [30]
Microphones [6]
HEADPHONES [3]
ขาตั้งกล้องวิดีโอ [42]
Libec [10]
Manfrotto [5]
Sachtler [9]
E-Image [6]
Other Tripod [12]
Streamstar [3]
IT [94]
TOY Technology [13]
Storages [27]
Digital Signage [6]
Software [11]
Accessory [4]
Memory Card [7]
Service [14]
Mobile Router [9]
Computer & Monitor [3]
Equipment [84]
Cable [29]
Connector [8]
Video Patchbay [1]
Lighting [43]
Rack & Accessory [2]
เครื่องหยอดเหรียญ [1]
ดูหมวดหมู่ทั้งหมด

MEMBER ZONE














พูดคุย-สอบถาม